Berio英文名字

⑴ 求：義大利歌劇的發展史！！英文的

Italian opera is both the art of opera in Italy and opera in the Italian language. Opera was born in Italy around the year 1600 and Italian opera has continued to play a dominant role in the history of the form until the present day. Many famous operas in Italian were written by foreign composers, including Handel, Gluck and Mozart. Works by native Italian composers of the 19th and early 20th centuries, such as Rossini, Bellini, Donizetti, Verdi and Puccini, are amongst the most famous operas ever written and today are performed in opera houses across the world.

The 17th century:
Opera in Rome

Within a few decades opera had spread throughout Italy. In Rome, it found an advocate in the prelate and librettist Giulio Rospigliosi (later Pope Clement IX). Rospigliosi's patrons were the Barberini.

Among the composers who worked in this period one may mention: Luigi Rossi, Michelangelo Rossi, Marco Marazzoli, Virgilio Mazzocchi.

Since the 1730s, the subject of the works changed greatly: those of the pastoral tradition and Arcadia, it is preferable that the poems of chivalry, usually Ludovico Ariosto and Torquato Tasso, or those taken from hagiography and Christian commedia dell'arte.

With the increased number of characters, the Roman operas became very dramatic, and has several twists. Also developed a new method of tuning the lines of the recitative, better suited to the various situations that arose from the rich storyline and that was closer to speech, full of parenthetical at the expense of the paratactic style that had so characterized the first Florentine works.

The 18th century:
Opera seria

By the end of the 17th century some critics believed that a new, more elevated form of opera was necessary. Their ideas would give birth to a genre, opera seria (literally "serious opera"), which would become dominant in Italy and much of the rest of Europe until the late 1700s. The influence of this new attitude can be seen in the works of the composers Carlo Francesco Pollarolo and the enormously prolific Alessandro Scarlatti.

During the eighteenth century artistic and cultural life in Italy was heavily influenced by the aesthetic and poetic ideals of the members of the Accademia dell'Arcadia. The Arcadian poets introced many changes to serious music drama in Italian, including:

* the simplification of the plot
* the removal of comic elements
* the rection of the number of arias
* a predilection for plots drawn from ancient Classical or modern French tragedy, in which the values of loyalty, friendship and virtue were extolled and the absolute power of the sovereign was celebrated

Comic opera

In the 1600s comic operas were proced only occasionally and no stable tradition was established. Only in the early years of the 18th century was the comic genre of opera buffa born in Naples and it began to spread throughout Italy after 1730.

Opera buffa was distinguished from opera seria by numerous characteristics:

* the importance given to stage action and the consequent need for the music to follow the changes of the drama, emphasising the expressiveness of the words
* the choice of singers who were also excellent actors able to perform the drama convincingly
* a rection in the use of scenery and stage machinery and in the number of orchestral players
* the use of a small cast of characters (at least in the short form of comic opera known as the intermezzo) and simple plots, a good example being Pergolesi's La serva padrona
* libretti inspired by commedia dell'arte, with realistic subjects, colloquial language and slang expressions
* as far as singing was concerned: the complete rejection of vocal virtuosity; a tendency to an incorrect pronunciation of the words; the frequent presence of rhythmic and melodic tics; the use of onomatopoiea and interjections.

Romantic period:
Romantic opera, which placed emphasis on the imagination and the emotions began to appear in the early 19th century, and because of its arias and music, gave more dimension to the extreme emotions which typified the theater of that era. In addition, it is said that fine music often excused glaring faults in character drawing and plot lines. Gioacchino Rossini (1792-1868) initiated the Romantic period. His first success was an "opera buffa" (comic opera), La Cambiale di Matrimonio (1810). His reputation still survives today through his Barber of Seville, and La Cenerentola. But he also wrote serious opera, Otello (1816) and Guilliame Tell (1829).

Contemporary period:
Some of the greatest Italian operas of the twentieth century were written by Giacomo Puccini (1858 – 1924). These include Manon Lescaut, La bohème, Tosca, and Madama Butterfly, Turandot and La rondine, the last two being left unfinished. In 2002 Luciano Berio attempted a completion of Turandot, and in 1994 Lorenzo Ferrero completed the orchestration of the third version of La rondine.

⑵ 急急急，要一個中性的英文名字

wu yingzhuo拼音讀音（武、舞、吳）隨機直譯為英文：
martial
brainy
all
通過音譯諧音變形結合英文命名通則最終確定：
Medellin Berio 麥德林 貝里奧
呵呵，隨機直譯的單個中文字，若是與你中文名原意差距較大，不要怪罪！

⑶ 跪求電影《無法觸碰》開頭和結尾的鋼琴曲名字。

總共有三首，分別為：

1.Fly （ludovico einaudi）

《Fly》是Avril Lavigne為2015世界夏季特殊奧林匹克運動會(2015 Special Olympics World Summer Games) 推出歌曲，歌曲由Avril Lavigne 、Chad Kroeger、David Hodges共同創作於於2013年。

該單曲將作為2015年7月份舉行的特殊奧運會的慈善宣傳曲，單曲的所有收益將捐給特奧會，同時也將促進艾薇兒慈善基金會的工作，幫助兒童、殘障青年、患有嚴重疾病的人士。《Fly》單曲已於當地時間4月16日發行。

2.September (earth, wind & fire）

《september》是St. Lucia演唱的歌曲，是一首英文歌。

3.Una mattina （ludovico einaudi)

《Una Mattina》是義大利鋼琴家Ludovico Einaudi的一張音樂專輯，也是一首同名鋼琴曲。

它包含了鋼琴加小提琴，無與倫比的美妙，低音伴奏加上右手流暢的旋律，是享受，是感動。 一種安靜的純朴的，由心靈共振帶來的，在這個日益浮躁快速的社會里，久違的振顫。流動著的婉轉的生命旋律能讓人在喧鬧的世界裡感受到生命的美好，會讓人產生對生命的渴望。

(3)Berio英文名字擴展閱讀：

《無法觸碰》（Intouchables）是一部由奧利維·那卡什執導的法國電影，改編自一名法國富翁的自傳《第二次呼吸》，由弗朗索瓦·克魯塞、奧馬·希、安樂妮、奧黛麗·弗洛特等主演。

影片改編自真實的故事。在一次跳傘運動事故後，菲利普，一位富有的貴族下肢癱瘓，只能坐在輪椅上，生活無法自理，因此他找了黑人青年德瑞斯來家裡幫佣。

這是一位郊區的年輕人，剛從監獄出來。簡單來說這是最不適合這份工作的人選。兩個世界相互碰撞，融合，於是一段不可思議的、奇妙的友情誕生了 。